The person who scored my film is the talented Mitchell Covington. My biggest concern when making this was not having the right music to go with the visuals. He nailed it. It made everything 100 times better.

I did have access to a green screen studio at my work, but was too embarrassed to bring in a lightsaber in fear of being mocked by my coworkers. Shooting on a green screen would have cut down 90% of the post-production time. But one of the good things about shooting on a real wall is that the characters really look like they are in the environment because those are real highlights and real shadows. Don't know if I could have done a convincing job adding a background and matching the lighting.